For this assignment I created a kinematic typography sketch using the word “MADINA.” I wanted the word to feel like it is in motion. My main inspiration was Patt Vira’s kinetic typography work, where letters shift in rhythm. I liked how those examples use simple motion to give a word a stronger presence, so I focused on one word and explored movement across time.
I used p5.js together with opentype.js and geomerative. First I loaded the font “BebasNeue-Regular.ttf” and converted the word “MA D I NA” into a vector path. Then I resampled the outlines into many points. In draw, I repeated those points multiple times in vertical layers. I applied a sine function to the x position and a gradual offset to the y position, so each layer moves like a wave. I kept the color palette minimal with a dark blue background, white strokes, and semi transparent blue fills. Patt Vira’s kinetic typography guided my decisions about rhythm and repetition.
I wrote the sketch in p5.js geomerative to work with vector text. In setup, I created the canvas, set angle mode to degrees, and loaded the font file “BebasNeue-Regular.ttf” with opentype.load. After the font loaded, I called font.getPath on the string “MA D I NA” with a large font size, then wrapped the commands in a geomerative Path object. I resampled this path by length so the letters turned into a dense list of points. I looped through the commands and, whenever I encountered a move command “M,” I started a new sub array in points. For each drawing command that was not “Z,” I pushed the x and y coordinates into the current sub array as p5 vectors.
In draw, I cleared the background to a dark blue color, set stroke weight and stroke color, and translated the origin so the word appears centered on the canvas. I used a nested loop. The outer loop moves through the number of layers, from num down to zero. The inner loop moves through each group of points for each letter. For some letter indices I used noFill to keep only outlines, and for others I used a semi transparent blue fill. Inside beginShape and endShape, I looped over the points and applied a sine based offset to the x coordinate with r * sin(angle + k * 20), and a vertical offset of k * 10 to the y coordinate. This creates layered copies of the word that shift in x and y as angle increases. At the end of draw, I incremented angle by 3 so the sine function changes over time and the typography keeps moving.
let font;
let msg = "MA D I NA"; let fontSize = 200;
let fontPath; let path; let points = [];
let num = 20; let r = 30; let angle = 0;
function setup() {
createCanvas(700, 400);
angleMode(DEGREES);
opentype.load("BebasNeue-Regular.ttf", function(err, f){
if (err) {
console.log(err);
} else {
font = f;
}
fontPath = font.getPath(msg, 0, 0, fontSize);
path = new g.Path(fontPath.commands);
path = g.resampleByLength(path, 1);
for (let i=0; i<path.commands.length; i++) {
if (path.commands[i].type == "M") {
points.push([]);
}
if (path.commands[i].type != "Z") {
points[points.length - 1].push(createVector(path.commands[i].x, path.commands[i].y));
}
}
});
}
function draw() {
background(0, 0, 139);
strokeWeight(3);
stroke(255);
translate(40, 170);
for (let k=num; k>0; k--) {
for (let i=0; i<points.length; i++) {
if(i == 1) {
noFill();
} else if (i == 3) {
noFill();
} else {
fill(0, 0, 255, 100);
}
beginShape();
for (let j=0; j<points[i].length; j++) {
vertex(points[i][j].x + r*sin(angle + k*20), points[i][j].y + k*10);
}
endShape(CLOSE);
}
}
angle +=3;
}
