Jihad Jammal
Comm Lab
Professor Aaron Sherwood
Reading Reflection Week 6
Feb. 26, 2024
Bridging Worlds
Levin’s approach to computer vision in the arts serves as a potent democratizing force, effectively breaking down barriers that have traditionally separated the realms of advanced technology and creative expression. In a field that might appear daunting due to its technical complexities, Levin’s narrative fosters an inclusive environment. By presenting computer vision as an accessible tool for artistic exploration, he invites individuals from diverse backgrounds to engage with technology in a creative context. This democratization is crucial because it empowers a wider array of voices and perspectives to contribute to the evolving dialogue between technology and art. It challenges the notion that one must have an extensive background in computer science or fine arts to participate in this innovative intersection, thus fostering a more diverse and vibrant community of creators. The implication is clear: the future of art and technology is not reserved for a select few but is an open field for exploration by anyone with curiosity and creativity.
Moreover, Levin delves into the ethical landscape encountered by artists who utilize this technology to craft pieces that interact with and react to human actions. Issues of privacy, consent, and surveillance emerge as critical considerations. As such the capability of computer vision to potentially breach personal spaces or to be deployed in manners that could exploit or inaccurately portray individuals warrants careful scrutiny.
Citations:
www.flong.com. (n.d.). Computer Vision for Artists and Designers: Pedagogic Tools and Techniques for Novice Programmers – Golan Levin and Collaborators. [online] Available at: https://www.flong.com/archive/texts/essays/essay_cvad/index.html