I believe that both of these readings highlight two important facets of physical computing.
Physical Computing’s Greatest Hits (and Misses) is an informative piece that aims to categorize (and explain) some of the most notable genres of physical computing projects. In the preamble to the piece, in which the author states that despite certain themes recurring, it doesn’t mean that the projects that use those ideas are unoriginal. In fact, they go on to assert that these forms of interaction allow for a lot of innovation and creativity. In my opinion, this is incredibly important, as it reminds us of a key principle in physical computing: the sensory input need not aim to be unique, but what we do with that input should.
Making Interactive Art: Set the Stage, Then Shut Up and Listen highlights a second key component of physical computing. Physical computing is inherently an interactive paradigm and necessitates a user-computer interaction. It might be tempting to provide clear instructions or an elaborate backstory to the project, but part of the beauty of interactive artworks is the limitless ways one can play around with them. Letting the user explore the project itself is the only way to truly realized the potential of a physical computing project.